拉内卡 — 贺兰    Ranaka - Ho-Lan mountains

岩彩   rock color  

尺寸不定  Variable size

2016

拉内卡——贺兰    

      西部联合驻留第三站在银川，我继续尝试了户外水墨涂鸦。

      先去的是一个在贺兰山脚下废弃的兵工厂，里面还有碉堡，沙坑，土质雕塑。很快，我就在这些遗迹上创作了各不相同的图案。在我看来，世界的构造便是可以压缩为“线“。贺兰山与很多西北的山脉一样，深藏原始人的岩画艺术。这些岩画一般是在较为平面的石块上进行刻画，内容大抵是些狩猎时代的动物与人物，以及打猎的记录和场面。我们驱车找到了银川北部的一处野岩画，在一个矿场边上，爬山不久，便看到了刻画在黑石头丛里的诸多精彩岩画。这些作品线条简洁而力道十足。我在挨着岩画的地方，找了些干净的石块上也进行了图案创作，画完留在那里。

Ranaka - Ho-Lan Mountains

         Yinchuan is the third destination of this western residency project, which is also my ongoing outdoor ink graffiti project.

         The first stop is an abandoned arsenal at the foot of Ho-Lan Mountains, inside which are pillbox, sandpit and soil sculptures.  Soon, I created various patterns on these ruins. For me, the structure of the world can be compressed into “lines”. Like many mountains in the north west, Ho-Lan Mountain has a treasure of original rock paintings. Generally,they were painted on a relatively flat rock, depicting animals and humans in the hunting age, as well as records and scenes of hunting.We drove and found some wild rock paintings in the north of Yinchuan. These rocks are next to a mine. After a short climb, we found many gorgeous rock painting on the black rocks. The lines of these rock paintings are simple yet quite powerful. Just next to the old rock painting, I found some natural rocks and painted patterns on them, and kept them there to juxtapose with the ancient works.

关于拉内卡

    “拉内卡”是一个甘肃南部地区的地名，对坐在汽车上一晃而过的旅行者来说，它更像是一个出现在高速公路信号牌上的未知领域。我将“拉内卡”作为引发某种绘画形式的开源代码，创作形式包括：地景绘画、水墨涂鸦、纸本绘画、布面绘画、抽象小品等。

     这些作品从动机上更趋向于去捕获意识的流动形式、符号的初始状态、生物体的生长机制等。“拉内卡”尝试让绘画与盖亚系统、意识产生机能发生共振，将特定能量运动的轨迹被解析成图像。

About Ranaka

       Ranaka is a place in southern part of Gansu province, it is more like an uncharted field appears on a highway sign for a traveler on the car. “Ranaka” for me is like an open source code to trigger some kind of drawing, the form of creations including: ink graffiti, drawing on paper, drawing on canvas, abstract sketches etc.

      These works tend to capture the flow of consciousness, the initial state of symbols and the growth mechanism of organisms etc. “Ranaka” tries to allow drawing resonate with Gaia system and consciousness production, and interprets the trajectory of certain energy movement into images.