拼拼凑凑的利维坦

A COMPOSITE LEVIATHAN 

09.12.20 – 02.27.21

桥项目  Bridge Projects

6820圣莫尼卡大道，洛杉矶

6820 Santa Monica Blvd,LA

Artist艺术家

Deng Tai 邓泰   Fan Xi 范西   Stephen Gleadow   He Wei 何伟   Jiu Jiu 赳赳   Li Ran 李然   Li Zhenwei 李振威   Liu Dongxu 刘冬旭   Liu Fujie 刘符洁   Lyu Zhiqiang 吕志强   Nabuqi 娜布其   Wu Di 吴笛   Xie Hongdong 谢红东   Yang Jian 杨健   Ye Su 耶苏   Zeng Hong曾宏   Zhang Miao 张淼    Zhang Ruyi 张如怡  Zhang Xinjun 张新军   Zhao Yang 赵洋

Bridge Projects is pleased to announce A Composite Leviathan, a two-part exhibition of emerging Chinese artists opening September 12, 2020. 

Curated by James Elaine, founder of Telescope, a non-profit art space in Beijing and former curator of Hammer Projects in Los Angeles and the Drawing Center in New York, A Composite Leviathan features twenty contemporary artists from China: Deng Tai, Fan Xi, Stephen Gleadow, He Wei, Jiu Jiu, Li Ran, Li Zhenwei, Liu Dongxu, Liu Fujie, Lyu Zhiqiang, Nabuqi, Wu Di, Xie Hongdong, Yang Jian, Ye Su, Zeng Hong, Zhang Miao, Zhang Ruyi, Zhang Xinjun, and Zhao Yang. 

The diverse practices of these artists do not fit neatly into any single category. However, all of their artworks investigate or reflect the rapidly transforming landscape of contemporary culture, including the impact of emergent technologies, globalization, and urban sprawl.

The exhibition draws its title from Yang Jian’s monumental sculpture, “A Composite Leviathan.” The term “leviathan” appears in the Biblical books of Job, Psalms, Isaiah, and Amos. It’s etymological connotation of “joining” suggests the tightly knit scales of a sea dragon. Biblical literature associates this leviathan with chaotic forces which are evidently at odds with the divine, creative order. On account of its apparent etymology, Thomas Hobbes used the term “Leviathan” for the title of his famous political treatise which suggested that national government was a necessary aggregate of social power. Many of the artworks in the exhibition reflect the dynamics of the composite social structures of contemporary society.

An iteration of the exhibition was first presented at Luhring Augustine Bushwick from October 11, 2019 to February 1, 2020 and featured twelve emerging Chinese artists. In its Los Angeles iteration, the show expands with fresh examples of contemporary art in China. In A Composite Leviathan, each work emerges from the complex fissures of the artists’ own lived realities, both spiritual and political.

The exhibition will be presented in two distinct chapters. All 20 artists will be on view from September 12 to December 5, 2020. The second chapter from January 8 to February 27, 2021 will be anchored around a large installation by Zhang Xinjun titled Green Hole, a sprawling sculpture constructed of common materials from Chinese construction sites and rural markets. 

CURATORIAL STATEMENT

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.

—Leonard Cohen, from “Anthem”

In the Bible, Leviathan is a dark creature of immense size which rises out of the sea and cannot be subdued by mere humans alone. “Leviathan” can also refer to anything of enormous proportions and formidable power, such as international corporations or totalitarian states and their vast bureaucracies. In artist Yang Jian’s sculpture A Composite Leviathan, which inspired the exhibition’s title, we see a relic of an intimidating yet tottering state system. The monumental piece is composed of distinct elements sourced from disparate public sculptures and spaces. It is a jigsaw puzzle of incongruous components that don’t fit together quite right but beautifully reveal the twisted metal structure within. These cracks in the armor represent the lines that have drawn this exhibition together. The focus of the show is not political, thematic, religious, or stylistic; rather, it showcases a community of dispersed artists, living in a conflicting system of flux and control, who are drawing the lines that let the light in.

—James Elaine, Curator, A Composite Leviathan

刺临(一号)  The Coming Sharp（No.1）

装置  Installation

尺寸可变 Variable Size

2018年

刺菻  Sharp  Philtrum 

装置  Installation 

1800mm×1560mm×900mm

2018

             刺临（三号）  The Coming Sharp（NO.3）

             装置  Installation

                3000mm×4000mm×3000mm

                2018年